With Avengers: Endgame, Spider-Man: Far From Home and Marvel’s Phase Four of their cinematic universe in the rearview mirror, now would be as good as time as any to look back and update my list of this now iconic pop cultural experience now that there will be nothing emanating on the big screen from Marvel for quite some time. While this does leave the door open for some (hopefully) constructive criticism from both colleagues and you the public out there, at the very least may this contribution to pop culture spark a conversation about what are the favorite (and not so beloved) choices out there for what has become a giant movie franchise even before Disney’s takeover of the company back in 2009.
Some have claimed it to be unfair that Marvel continually ignores any of its movies before 2008 (sorry Blade), but the realization hits that with Iron Man, a new focus of how their characters were portrayed on screen took shape and how the continual cinematic missteps such as Daredevil, The Punisher, and Elektra helped force that new direction. So without further adieu from worst to first, here are the humble suggestions from one reviewer on what will be named “Gerald’s Pop Culture Cosmos Guide to the Marvel Cinematic Universe”, so here goes nothing…(box office numbers from Box Office Mojo)
25. The Incredible Hulk (2008, $134.8 million domestic/263.4 worldwide) – This film, among all the others, truly has gotten the rotten end of the Marvel deal. While this movie’s attempted reboot of the beginnings of the Hulk doesn’t ever measure up to an audience (as did the first time Marvel tried five years earlier) the fact that it took a third time (with Mark Ruffalo in Avengers) before the character would connect to an audience proves just how much of an enigmatic property the big green guy really is. This effort to bring Bruce Banner’s (played by Edward Norton in this go-around) tale to life once again as he tries to escape from the US Army led by Ross while hearing word of a possible cure for his gamma radiation problem never really seems to find its own path cohesively.
Adding onto all of this is the introduction to the “Abomination”(Tim Roth) that feels more “shoehorned” in than anything else. It seems on the surface that Marvel has distanced itself from many aspects of the movie and that the company itself was not happy with the results the second time around, with only General Thunderbolt Ross (William Hurt) being thought of enough to warrant a return to the series (in Civil War) and the only other throwback to the film ever mentioned was by Ruffalo when he reminded us in Avengers that he “kind of broke Harlem”. After watching this movie it’s easy to see why this registers as a low point in the series because with this movie it’s not just Harlem that is broken but virtually everything else as well.
24. Iron Man 2 (2010, $312.4 mil domestic/623.9 worldwide)- Universally thought of as the least favorite among the Iron Man films, from that standpoint there is no argument here. With a convoluted plot centering around Ivan Vanko’s (Mickey Rourke with an unforgettably bad Russian accent) thirst for revenge, the competitive jealousy of arms dealing rival Justin Hammer (Sam Rockwell) and Tony Stark’s (Robert Downey Jr.) downward spiral of self-destruction the movie disappoints at virtually almost every turn. Even in the brief moments of enjoyment as Tony learns more about his father’s legacy, director Jon Favreau’s attempt to recreate the same magic as he did in Iron Man but never even comes close no matter how much Downey Jr.’s character hams it up on the screen.
What makes this even more disappointing is that a great supporting cast (Scarlett Johansson, Don Cheadle, Samuel l. Jackson, Gwyneth Paltrow and yes even Favreau himself) cannot get this film out of superhero film purgatory because the movie’s weakest points are doubled when it comes to the time devoted to the evil plans of both Hammer and Vanko. Had this been a story just focusing on the dark path Iron Man was taking, the impending reality of being killed by the very Arc Reactor that was keeping him alive and the possibility of him not becoming an Avenger it might have ended up quite a bit higher on the list. Unfortunately for audiences (as this reviewer), the road that was traveled was one it should not have taken.
23. Thor: The Dark World (2013, $206.3 mil domestic/644.6 worldwide)- Let’s just cut to the chase, this movie maybe above all the others is truly a mess. Something about Dark Elves and Dr. Jane Watson (Natalie Portman) gets infected by an Aether and a Convergence and how it all ties into each other that could potentially throw England, the Earth and the rest of the Nine Realms into chaos is utter garbage. What seems to solidify it, even more, is an antagonist in Malekith that the audience cares very little about which on the surface would make it far and away the bottom choice on the list.
But alas once again it is the performances of Thor (Chris Hemsworth) and his on again off again brother Loki (Tom Hiddleston) that makes the entire movie almost watchable because of our continuing fascination in viewing this major league family quarrel. Here’s hoping the upcoming Thor: Ragnarok gets a great deal more attention paid to the plot the next time around because the two certainly deserve to be surrounded by a good movie experience not starting with the word Avengers on it.
22. Iron Man 3 (2013, $409 mil domestic/1.215 billion worldwide)- Sitting squarely in the aftermath of the “Battle for New York” which is the basis for The Avengers movie, we find ourselves on familiar ground with Tony Stark (Robert Downey Jr.) once again finding new ways to self-implode. The Post Traumatic Stress Disorder from the battle that begins to take over aspects of Stark’s life is a cruel and haunting reminder of what soldiers encounter in real life and a take very seldom seen in our comic book landscape. Mix into this is another dose of reality for Stark in his having to pay for his past arrogance and one would think you have the basis for a really good film.
As much as there is the desire to place director Shane Black’s movie a bit higher on the list especially in light of how financially successful a non-Avengers film like this ultimately (especially with Ben Kingsley’s magnificent turn as “The Mandarin”) became, eye-rolling situations the audiences are sometimes put through preventing any such thing from happening. Ridiculous sequences while aboard Air Force One and on an oil tanker utilizing multiple Iron Man suits take away from the central conflict between Stark and Aldrich Killian (Guy Pearce) which given more depth could have been truly a memorable one. The film does something with strong characters like Pepper Potts (Gwyneth Paltrow) and War Machine (Don Cheadle) and gives them both a chance to shine, but like the movie itself, it is only enough to leave one wanting a bit more.
21. Thor (2011, $181 mil domestic/449.3 worldwide)- As an origin story, Thor is not going out of its way to proclaim itself as a highly recommended option. The lessons that needed to be learned by a banished would-be king (Chris Hemsworth) and the secretive string-pulling behind the scenes by his jealous, scheming brother Loki (Tom Hiddleston) and the extremely strong interplay between the two are the only reasons one would be interested to see this film. But alas like in Iron Man, the performances by the two main characters are so adept at what many fans were hoping for in the troubled family strife that one almost can look past the giant plot holes that plague the story both on Thor’s home planet of Asgard and the small New Mexico town that his love interest Dr. Jane Watson (Natalie Portman) has set up shop in…almost.
Unlike Iron Man, however, the failings in the story and pacing in director Kenneth Branaugh’s movie are large enough to prevent this film from getting any higher on this list because it didn’t always stick to what it does best. Which is a shame because it is through Hiddleston’s brilliance and Hemsworth’s instant knack for their respective roles that we as an audience see a reason why the Thor movies should not be missed, even when the actual films themselves do by a wide margin (as is the case with The Dark World).
20. Guardians of the Galaxy Vol. 2 (2017, $389.8 mil domestic/863.5 mil worldwide) – A follow up to the 2014 break out hit of the Marvel Cinematic Universe, the Guardians attempt to go on the hero path takes a left turn and along the way has them meeting up with Ego (Kurt Russell), the half deity-half planet that happens to be the long-lost father of leader Peter Quill (Chris Pratt). What on the surface looks to be a warm and fuzzy family reunion turns into anything but as the secrets uncovered end up threatening the entire galaxy unless the Guardians can do something to stop it.
Directed again by James Gunn, the movie tries very hard to impress with its reliance on comedy and the cuteness of Baby Groot (voiced by Vin Diesel) in the first two acts but in the process feels more forced more times than not and leads to quite a few pacing lulls. The third act is one of the better in the series as the movie climaxes with familial themes that give the film a passing grade but not much else beyond it. Guardians 2 feels like a missed opportunity to do something really special to build upon the uniqueness of the first go-around but instead relies too much on choosing the safe route and in the process becomes a rather unremarkable experience even with the promise of volume three in the future.
19. Avengers: Age of Ultron (2015, $463.5 mil domestic/1.405 billion worldwide) – As the group of superheroes rallies again to save a city (the capital city of the fictional Sokovia) from total destruction, the Avengers gear up to face Ultron (voiced by James Spader), an evil force made even more dangerous due to being created by members of the team themselves. The premise itself is strong and engaging buoyed by the additions of Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen) as twins experimented on who see the error of their ways.
Where this movie goes off the rails for director Joss Whedon is during the process of the narrative, when the film begins to cram in elements that set up themes for future films in the series. While that sounds great in theory and has been done extremely well in other Marvel movies (see: Winter Soldier), the execution in these scenes comes off as something that looks out of place and distracting. Almost as if one had a beautiful ice cream sundae but then topped it off with some anchovies instead of a cherry on top. While Age of Ultron does have its share of group superhero fun, it ultimately can’t save the film from being higher on the list because of all the different agendas pulling the movie apart.
18. Captain Marvel (2019, $388 mil domestic/1.066 billion worldwide) – Marvel takes a trip back to the 1990s in order to tell this origin tale of one of its most powerful warriors. Air Force Pilot Carol Danvers (Brie Larson) comes in contact accidentally with a powerful energy force that thrusts her into the middle of a divisive battle between warring species the Kree and the Skrulls. Her role in the conflict heads her back to Earth where she and S.H.I.E.L.D. agent Nick Fury (Samuel L. Jackson) look to uncover a mystery that can alter the future of an alien race and also the Marvel Cinematic Universe.
Directed by Anna Borden and Ryan Fleck, the style and charm of the decade represented in the movie are offset by the movie’s uneven flow, inconsistent performances and logic errors which keep this movie from aspiring a loftier status on this list. But with outstanding turns by Jackson, Ben Mendelsohn and Lashana Lynch, plus promising work (with some flaws) by Larson herself, the movie gets carried to a decent and watchable level for this initial entry for Captain Marvel as she readies herself to be a major player going forward in the Marvel Cinematic Universe.
17. Ant-Man (2015, $189 mil domestic/519.4 worldwide)- Presented as a stylistic and cool crime caper by director Peyton Reed rather than a straightforward superhero drama, the tale of Scott Lang (Paul Rudd) who gets himself mixed up into a return to a life of crime and ultimately a chance at heroism is fun at times but ultimately there was the feeling that the movie could have been a lot more. Trained by the super scientist Hank Pym (Michael Douglas), his daughter Hope van Dyne (Evangeline Lily) and supported by his good friend Luis (by the very amusing Michael Peña), the film’s best scenes are those after Lang becomes aware of what the Ant-Man super-suit actually can do.
Ultimately the style of the movie doesn’t overcome its substance as a weak ending battle between Lang as Ant-Man and an even weaker villain in Yellowjacket (Corey Stoll) don’t allow this film to reach the heights it truly deserves. Yes, the movie’s intentions and goals are not as far advanced as some of its larger targeting movie brethren. But even in its execution, Ant-Man leaves you wondering what could’ve been. Maybe Reed should have consulted with Baskin-Robbins because well, Baskin-Robbins knows…everything.
16. Captain America: Civil War (2016, $408 mil domestic/1.153 billion worldwide)- Through two acts this film was well on its way to taking the top spot with a well-developed build and an ultimate payoff in the form of a superhero battle royale that still has fans talking to this day. The Russo brothers again deserve high marks for creating a conflict that gave the audience a taste of what would be to come for the 2018 and 2019 Avengers films with Spider-Man and Black Panther played respectively by Tom Holland and Chadwick Boseman getting some extra needed love as their introduction into the Marvel Cinematic Universe.
With each of our much-adored heroes and heroines having to make a stand on one side or another on the controversial Sokovia Accords, it appears the opportunity for a united front against whatever evil approaches in the future could be in peril. The movie declines sharply, however, is in its third act as the movie gets an opportunity to utilize Helmut Zemo (played by Daniel Bruhl) as a true threat to the Avengers but only ends up making a decision that still leaves me shaking my head on what could have been. For at least a good percentage of the film, there is no question that Civil War stands up to the rest of the top five. It’s just a shame that Marvel didn’t make the call to go all the way.
15. Doctor Strange (2016, $232.6 mil domestic/ 677.7 worldwide)- This psychedelic feast for the eyes directed by Scott Derrickson entertains in how it portrays the journey that Stephen Strange takes from superstar doctor to Sorcerer Supreme. With Benedict Cumberbatch taking on the role of this mystical leader, the film itself serves as yet another origin/coming of age story for a budding superhero whose whole life gets turned upside down and the new world he’s brought into he must learn how to manipulate and ultimately defend. Even though some of the scenes were ripped straight from the outtakes of Inception, the visuals do not cease to captivate as fighting scenes take on a whole new meeting as Strange and his companions Wong (Benedict Wong) and Karl Mordo (Chiwetel Ejiofor) battle the evil Dormammu and those that are trying to align with the evil spirit such as the mystic Kaecilius (Mads Mikkelsen) and his band of demented followers.
Cumberbatch does a solid job in the film but it’s the great work of Ejiofor as the conflicted Mordo and Tilda Swinton, who as the Ancient One steals one scene after another as Strange’s mentor and sometimes antagonist whenever she is on screen. As the remaining origin tale before the Infinity Wars get started in 2018 (Black Panther technically doesn’t count since he’s already spent time with the Avengers in Captain America: Civil War), Doctor Strange proves to be a solid eye-catching experience that while it has quite a bit more style still has enough substance in its story to be a welcome viewing for Marvel fans.
14. Spider-Man: Far From Home (2019, $390 mil domestic/ 1,131.9 billion worldwide)- Set shortly after the fallout of events from Avengers: Endgame, Far From Home has Peter Parker (Tom Holland) trying to cope with the tragedy of losing his mentor and father-like figure Iron Man and having the ultimate responsibility of being asked to fill his shoes (or metal boots if you will). When the pressure becomes too great, his desire to escape by joining his friends on a high school class trip to Europe and plan to get himself in the good graces of his fellow student MJ (Zendaya) leads him directly into a confrontation with Nick Fury (Samuel L. Jackson) and a fight against elemental creatures. It also sets up him meeting Quentin Beck aka Mysterio (Jake Gyllenhaal) and the two quickly forming a bond that on the surface initially seems like it would be just what Peter needs.
While Beck’s motives are ultimately made clear in the film, Far From Home (directed again by Homecoming‘s John Watts) never quite reaches the heights of interest and charm of its previous success of Spider-Man: Homecoming. One of the most glaring issues is that the movie is placed as the final entry in the “Infinity Saga” (Phase Four), and it becomes quickly apparent that this responsibility is too much for the narrative to bear. It’s inconsistencies with the main story, side story, and background themes plus the glossing over of the damage created by Thanos (nicknamed “The Blip”) prove that the previous Avengers movie should have been the Endgame all along for this part of the Marvel Cinematic Universe. Like the ever-looming shadow created by Iron Man in this film, Far From Home leaves us wanting a return to what we were watching in previous films. Stay for the end credits however as the one thing the movie does best is in its set up for what’s to come in the next phase for both Spider-Man and Marvel’s epic series.
13. Black Widow (2021, $182.7 mil domestic/372.3 mil worldwide)- A movie that was long overdue, even after it’s delay due to the Coronavirus, Black Widow has the look and feel of a movie that would have been a better fit had it been released in 2015 than 2021. Coming off the events of Civil War, Natasha Romanoff’s (Scarlett Johansson) descent into exile has her reliving the past as she looks for a way to reach the mysterious Red Room hidden somewhere in Eastern Europe, and save the unwilling soldiers of the Black Widow program. In order to accomplish the mission, she must reunite with former comrade-in-arms (Florence Pugh, David Harbour, Rachel Weisz) as together they fight the forces of Natasha’s former boss, the sinister General Dreykov. Along the way, the four heroes attempt to reconnect the once close familial relations which often during the film adds up to mixed results.
Director Cate Shortland crafts a movie built with two outstanding goals. One is to introduce audiences to Pugh’s character, who will be taking up the Black Widow moniker for future Marvel projects. The other is to provide a Marvel love letter to Johansson’s Natasha, providing her the opportunity to showcase why she has been such an integral part of the Marvel Cinematic Universe for roughly a decade. While there are some concerns with pacing issues, jokes falling flat, and some clunkiness with the re-formation of the family dynamic, the movie itself entertains with its spectacle action pieces and its intelligence in focusing on the two characters (Pugh and Johansson) that are most important to the legacy and future of this vaunted series of films.
12. Ant-Man and the Wasp (2018, $216.6 mil domestic/622.7 million worldwide)- Following a one-two punch of Black Panther and Avengers: Infinity War, not much was expected from the sequel to the 2015 hit. But while audiences do not get the answers to the burning questions begging to be solved from Infinity War, Ant-Man and the Wasp still proves to be a fun superhero flick that entertains on a smaller scale and offers a lighter diversion to the heavier films to have come of the same year. The actors that needed much more attention than what was given in the first film for them (Evangeline Lilly, Michael Pena, and Michael Douglas) makes this sequel just a little bit better than the first go-around while still keeping the charm that has endeared many to the original Ant-Man.
This movie succeeds because it doesn’t take itself as seriously and focuses on just trying to entertain rather than being that integral part that keeps the Marvel Cinematic Universe together, even if not enough love was given to others (Lawrence Fishburne, Hannah John-Kamen) that could have used a bit more fleshing out as characters. Is this return trip to the Quantum Realm required viewing to better understand the MCU? No. But Ant-Man and the Wasp is a film to see simply because it accomplishes its goal as a light-hearted, funny entry that sprinkles enough clues and bread crumbs to justify itself as a part of the series while doing more to help it stand out as an enjoyable summer movie on its own.
11. Shang-Chi and the Legend of the Ten Rings (2021, $- mil domestic/- million worldwide) Bringing to prominence the martial arts genre in a way the Iron Fist Netflix series never could. Shang-Chi dazzles with fight scenes in the first half of the movie that showcases the potential future for the series and a lead character (Simu Liu) who looks right at home in the Marvel Cinematic Universe. What keeps this movie moving, even through a rougher CG-reliant second half is the purely enjoyable father-son chemistry as “The Mandarin” (Tony Leung, who elaborates on the reality of that moniker in the film) and Shang-Chi face off for control of a powerful set of ten rings.
Leung, in his first US production after decades as a martial arts movie legend overseas, steals the movie with a powerful performance that lands him squarely in the top hierarchy of Marvel Villains. Liu himself provides one of the best introductions of any lead Marvel hero, and his comfort and confidence with playing his character goes a long way to making this film a big initial success for this phase of the MCU. It also sets up his character (and best friend/partner Katy played by Awkwafina) as key players for future sequels and Avengers films.
10. Thor: Ragnarok (2017, $314 mil domestic/853.2 million worldwide)- While watching this film was immeasurably more enjoyable than watching the previous two installments in the Thor franchise one cannot help but ask yourself after viewing Ragnarok “Why did I watch the first two anyway?”. Even with all the issues emanating from those two almost any positives from them are virtually eliminated within the first half-hour of the film. Warriors Three: Killed, Jane Foster: Gone, Lady Sif: a no-show as well and even the characters central to Thor’s world, King Odin (Anthony Hopkins) and Loki (Tom Hiddleston) also aren’t given much to do. Maybe it’s as if Marvel wanted to cleanse the pallet for those who felt like me that the Thor series needed a slate to be virtually wiped in order for the franchise to ultimately succeed as a whole.
What ultimately gets presented on screen after all the cinematic erasure is done is a spirited, fun, humorous, campy “Flash Gordon”-esque film that director Taika Waititi successfully brings to life. Chris Hemsworth seemingly becomes invigorated right before our eyes with a performance that is far and away his best with that character. Gone is the Shakespearean dominated dialogue which after initially being an interesting by-product of a theatrical family struggle to a wise-cracking, fun-loving hero who is seemingly enjoying as much at what he is doing as the audience is in watching him perform in Ragnarok.
After envisioning the death of his planet Asgard as destined by the will of Ragnarok, Thor faces off against his fiercest test in battling his own sister Hera (Cate Blanchett), the Goddess of Death. His brief initial encounter with her has him jettisoned (along with Loki) off to the planet Sakaar, where he encounters its strange leader (Jeff Goldblum who is in true “Goldblum” form) who is obsessed with finding a true match for his champion (Hulk which is loosely taken from the “Planet Hulk” series). The calamity that ensues with Thor and him aligning forces with Hulk, Loki and the Valkyrie (played brilliantly by Tessa Thompson) and the question of how to return to his planet provide the context for a well-meaning film that despite its many small flaws wins the audience over with its charm and desire to put the Thor franchise back on the map as a cornerstone of the Marvel Cinematic Universe.
9. Iron Man (2008, $318.4 mil domestic/585.2 worldwide)- The reason why this list was made and most importantly why the Marvel Cinematic Universe exists in the first place and didn’t die a horrible box office death like so many other movie series before it. This tale puts a modern spin on the origin story for one of the most respected figures in the comic book genre that with the help of Robert Downey Jr. created a whirlwind of notoriety for Marvel. Despite some story shortcomings with the famed arms dealer turned superhero tale, Downey Jr.’s performance gave audiences a reason (along with The Dark Knight) to enjoy coming back for more superhero movies down the road.
Director Jon Favreau was smart not to overpopulate or complicate the movie and just set it up for RDJ’s virtual “One Man Show” that completely drives the film. True, the expense needed to have Downey Jr. in Avenger-related films thereafter can make for a producer’s nightmare, after watching Iron Man one can see why Disney and Marvel have developed his character into a cornerstone of the franchise and a reason why he has been worth every penny to the series.
8. Captain America: The First Avenger (2011, $192.7 mil domestic/370.6 worldwide)- Of all the movies on this list, it is probably one of the easiest movies to fall into when scanning the television channels for something to watch. This simplistic tale outlining the origins of Captain Steve Rogers and how he became Captain America lends itself to casual viewing, as it has seemingly found more life as a film modified for television than it ever did when it was circulation on the silver screen. Some would scoff at the notion of it being so high on the list for exactly the same reasons why it is so endearing to me, it does set a better foundation for future iterations in the series than its Marvel origin counterparts and also at the same time gives structure to an evil organization (HYDRA) that becomes a major opposing force in this superhero timeline (and multiple television shows and movies) for years to come.
7. Spider-Man: Homecoming (2017, Sony Pictures, $333.9 mil domestic/879.8 worldwide)- Sony’s hopes for a successful reboot of the Spider-Man franchise comes to fruition as Homecoming strays away from many of the pratfalls of its predecessors’ films and in the process creates a dual identity with both its own and a shared Avengers timeline. Clearly working with Marvel Studios starting with Civil War was the right step to take, as the injection of Iron Man (Robert Downey Jr.) brings a whole new dynamic to the movie and a sense of place that Marvel fans can relate to much easier.
But the smartest move Sony and director Jon Watts made was bringing the Peter Parker saga back to high school realm and dealing with the teenage twists and turns in an intelligent and thoughtful manner. A solid turn by Michael Keaton as the Vulture, who heads a crime group specializing in selling arms originating from the superhero battles of the past (like the Battle for New York seen in the Avengers for example) helps push the narrative even further and gives an extra dimension to Peter’s struggles for acceptance and his true place in the superhero world.
With much of the story taking place months after Parker (Tom Holland) gets bit by the now infamous radioactive spider, Homecoming avoids many of the repeated and clunky exposition points that audiences have seen before and brought in a youthful charm that highly resembles a John Hughes-directed pic from the 1980s. It’s this spirit that gives the Spider-Man series new life as it will attempt going forward to delicately balance his own storyline while being involved with the upcoming Infinity Wars movies and also building a separate universe of their own (like the Venom movie for example). That’s a lot to ask of anyone but after watching Spider-Man Homecoming, as long as they get the Marvel timeline straight (the movie’s one glaring error) in future films things should be just fine for fans of the web-slinger.
6. The Avengers (2012, $623.3 mil domestic/1.519 billion worldwide)- The first grand vision of Marvel aligning up all of its Phase One element into one blockbuster film, this is one star-studded film that actually lives up to all the hype given by all the films that preceded it in the series. Faced with the destruction of New York by Thor’s much familiar nemesis Loki and legions of his newfound galactic troops, the Avengers look to get past their personal differences with each other to assemble together to fend off the alien horde. While the movie’s decision on how to portray Hawkeye (Jeremy Renner) may have not been the best for his character’s popularity long-term, director Joss Whedon scores where it counts the most in its truly engaging and fun battle sequences which at the time set the benchmark for large-scale superhero conflicts that today still holds up with every viewing.
5. Black Panther (2018, $699.8 mil domestic/1.346 billion worldwide)- There was optimism g
oing into February that Black Panther would achieve a great deal of success and would receive tons of support from those who would see the film as a ground-breaking experience and from comic book fans who would be anxious to delve into the previously hidden world of Wakanda. What came out to theaters exceeded expectations at every level as Ryan Coogler crafted a film that requires repeated viewing for Marvel fans as this brilliant film lays out Wakanda’s inner struggle not only for leadership within its own ranks but also how it wants to portray itself to the rest of the world.
This beautifully crafted tale about one warrior’s (Chadwick Boseman) rise to greatness and another’s path of destruction and vengeance (Michael B. Jordan, in one of the best ever Marvel villain performances) while in turbulent times for the fictional country carries well thought out themes on the importance of diversity, tolerance and respect for their fellow person that hopefully will be taken in by all those who view this film and will learn this as a lesson we should follow as a species moving forward. Supplemented by an outstanding supporting cast (with scene-stealing Lupita Nyong’o, Danai Gurira and Leticia Wright among the most notables), Black Panther will remain high on many Marvel lists for the foreseeable future and a cornerstone for whatever Marvel chooses to do with its universe going forward.
4. Avengers Endgame (2019, $ 858 mil domestic/ 2.797 billion worldwide)- This is the film most will feel ended the Infinity Saga and wrapped up the first three phases of the Marvel Cinematic Universe (although Spider-Man: Far From Home has that official privilege). In this cinematic behemoth of a film, the avenging of Thanos’ “decimation” in Infinity War has our heroes coming up with a unique path that is only realized through experiences and references of Marvel movies gone by. Does it help to have watched all the films in the MCU before seeing Endgame? Sure, but even if you have only watched one or two the movies, the film does enough to get you through it by having you hang on to a roller coaster of emotion and some of the most exhilarating moments in this vaunted film series.
Yes, the movie is three hours long and some unneeded scenes may have found there way in that could have been left on the cutting room floor, but the Russo brothers again do an outstanding job of presenting the guilt and failure felt by all those Avengers who survived the events of Infinity War and who still feel its lofty effects some five years later. Its monumental success was not only in part due to the film itself and its marketing, but the story arch that played out over the course of ten years and twenty-two films that made Avengers: Endgame less of a spring/summer movie and more of a pop culture event that no one could afford to miss.
3. Guardians of the Galaxy (2014, $333.1 mil domestic/773.3 worldwide)- From a cinematic standpoint, not much was expected when this somewhat obscure comic book iteration debuted to film audiences. But a thrilling story of heroism, destiny, and revenge catapulted this movie to greater heights than anyone (Marvel included) could have ever expected. The movie itself centers around a group of miscreants who through circumstance, chance and misfortune see the opportunity to do something good and join together to prevent planetary destruction. James Gunn’s direction and the commanding presence of Peter Quill/Star-Lord (in a spirited performance by Chris Pratt) helped put Guardians out into the forefront of the superhero universe. With a trilogy of GotG films set after all is said and done, it appears that the group will be playing a key role in the Marvel Cinematic Universe due in large part to the strength of this film.
2. Avengers: Infinity War (2018, $673.6 mil domestic/2.037 billion worldwide)- The first part of a culmination of a film dynasty and a nod to the legacy of the previous 18 films, Infinity War has to do so much in order for it to be successful. With directors Joe and Anthony Russo again at the helm, the movie pays off with an amazing spectacle that rewards fans for watching the previous films in the series while still making it approachable for anyone who has missed out on the previous adventures. A quest for the Infinity Stones that has spanned many a Marvel film, it finally comes to a head as the Mad Titan Thanos (played by Josh Brolin) squares off against many of the collective forces of good that have appeared over the years in this cinematic universe. While one could argue for more screen time for any of their favorite characters in this movie, the collaborative effort made by all makes for an awesome viewing experience that delights and amazes even with its longer running time. This film truly exemplifies the term “blockbuster” in every way.
1. Captain America: The Winter Soldier (2014, $259.7 mil domestic/714.4 worldwide)- When taken as a whole, this film breathes as much as a well-constructed political spy thriller as it is excellent superhero flick, and in doing so makes for a welcome change for us as an audience. With his best turn as the conflicted super-soldier, Chris Evans carries us through the tumultuous inner workings of the S.H.I.E.L.D agency he works for and why the secrets Nick Fury (Samuel L. Jackson) and others keep from him may come back to haunt them both. The agency’s biggest secrets include a couple of major plot twists that affect a great deal of the Marvel Universe moving forward.
Ever following the righteous path, Cap along with Black Widow (Scarlett Johansson, in yet another instance that her character deserves her own movie) and Falcon (Anthony Mackie) try to overcome all the odds and an enigmatic assassin (Sebastian Shaw) to save millions of people from getting exterminated. Kudos to directors the Russo brothers for not only reminding us of the greatness of acting legend Robert Redford but coming up with a story that combines so many quality elements, while still making The First Avenger even more relevant watching it in hindsight today.
So that’s one reviewer’s take on the highs and lows so far in the Marvel Cinematic Universe as we look forward to more of the continuing Marvel Cinematic Universe as it continues to unfold well into the next decade. What’s your take on this comic book movie box office franchise juggernaut? Let us know in the comments, on our social media or send us an e-mail to firstname.lastname@example.org because we would love to know what your thoughts are on all things, Marvel.